Thursday, July 01, 2010
Criticism Seminar (Gerard's Section)
Hope your summer is off to a good start.
Friday, June 25, 2010
UArts Alumna called 'lowbrow' in review!
Tuesday, June 15, 2010
Gettin' the work out there
Okay, you missed auditions for Work of Art, but there's still time to make the deadline for Vox Populi's 6th jureid exhibit, cleverly titled...(wait for it) Vox VI.
Follow this link to post your work for on-line judging. May you not be found wanting.
Wednesday, June 09, 2010
2010 "Food for Thought" Lecture Series
MFA Visiting Artist Lecture Series
.JUNE 18 * (This Lecture is on Friday at 6 PM)
LYNN GUMPERT, Director, Grey Art Gallery, NYU-Lynn Gumpert has been Director of the Grey Art Gallery, New York University’s fine arts museum, since 1997. Previously, she has worked as a writer, consultant, and independent curator, organizing shows in New York, Japan, and France. Among the over thirty exhibitions she has overseen at the Grey are The Downtown Show: The New York Art Scene, 1974–1984, and Electrifying Art: Atsuko Tanaka, 1954–1968. From 1980 to 1988 she was Curator and Senior Curator for the New Museum of Contemporary Art. Ms. Gumpert also authored the first major monograph on French artist Christian Boltanski (Flammarion, 1992) and has contributed essays to numerous publications.
SIMPARCH, Matt Lynch and Steven Badgett, Art Collective- The American artist collective SIMPARCH that was founded in Las Cruces, New Mexico in 1996 is presently organized and maintained by Matthew Lynch and Steve Badgett. Their practice involves large-scale, usually interactive installations and works that, as the group's name suggests, examine simple architecture, building practices, site specificity and materials that may be salvaged, recycled or generally brought together with a kind of d.i.y. attitude. Often collaborating with other artists, builders, art critics, graffiti artists, filmmakers, and skate boarders, and musicians, SIMPARCH works at providing sites which allow for social interaction and experimentation with design and materials.
HOON LEE, South Korea- Hoon Lee is the coordinator of the ceramics program at Grand Valley State(MI) University’s Department of Art & Design. The Korean-born artist works primarily at performance-based installations, though his vast interest and experience in ceramics play a role in many of his projects. Lee earned his MFA from the New York State College of Ceramics at Alfred University in New York, and a master's degree in ceramic art and industrial design from Seoul National University of Technology, in Korea. He has exhibited in 17 solo shows or projects nationally and internationally, and he recently received the Martin Luther King, Jr.-Cesar Chavez-Rosa Parks Grant.
STUART ELSTER, New York- Stuart Elster is an Assistant Professor, and the coordinator of the Painting and Drawing department at The University of the Arts, and a Critic in the University of the Arts Summer MFA program. He received a BFA in Painting and Drawing from The University of the Arts and an MFA in Painting and Printmaking from the Yale University School of Art.Stuart has been represented by Lucas Schoormans Gallery in New York, and has participated in two person and group exhibitions at Tate, Marvelli, and Schroeder Romero Galleries. Nationally he has participated in exhibitions at the Happy Lion Gallery in Los Angles, the School of the Art Institute of Chicago, and DePaul University Art Museum in Chicago, and the Herter Gallery at the University of Massachusetts. Internationally his work has been shown in Italy, France, and Austria and in 2008 to 2009, Stuart was included in the traveling exhibition titled Islands and Ghetto’s shown in both Heidelberg and Berlin Germany.A selected Bibliography of Stuart’s work includes, The New York Times, Chicago Tribune, and Tema Celeste magazine. Artist’s profiles and interviews in Heeb magazine and the Kunstforum International.Stuart has been a visiting artist and quest critic at Yale University, Yale University Norfolk summer program, School of Visual Arts, DePaul University, and the School of the Art institute of Chicago.
FRANCIS CAPE, New York- Francis Cape apprenticed with master carver Dick Reid before receiving his MFA in 1991 from Goldsmiths College, London. In 1993 he moved to the U.S. where he has exhibited his work extensively, including at Propsect 1, New Orleans; the St. Louis Art Museum; P.S.1 Contemporary Art Center, New York; The Aldrich Museum of Contemporary Art, Ridgefield, CT; the Public Art Fund, New York; Contemporary Arts Center, Cincinnati, OH; and in galleries in Germany and the United Kingdom. He was the recipient of a Louis Comfort Tiffany Award in 2001, and of a Henry and Natalie E. Freund Fellowship in 2003. He is represented by Murray Guy, NY; and lives and works in Narrowsburg, NY.
JOAN LINDER, New York- Joan Linder is best known for her labor-intensive drawings that transform mundane subjects into conceptually rich images. Life size representations of figures and objects explore themes such as the banality of mass produced domestic artifacts; the politics of war; sexual identity and power. Linder has exhibited throughout the US and in Brazil, Germany, Israel, Japan and Korea at venues including White Columns, NY; the Queens Museum of Art; the Museum of Fine Arts, Boston and the Gwanjgu Art Museum, Korea. Awards include the Lucas Fellowship at Montalvo, CA; MacDowell Colony Residency; The Foundation of Jewish Culture’s Ronnie Heyman Award; and a grant from the Pollock Krasner Foundation. Born in New York, Linder attended the Skowhegan School of Painting and Sculpture in 1999 and received and MFA from Columbia University and a BFA from Tufts University. Linder is an Assistant Professor of Visual Studies at the University of Buffalo and is currently represented by Mixed Greens Gallery in New York City.
KATHLEEN GILRAIN, Director, Smack Mellon Gallery, NY- Kathleen Gilrain joined Smack Mellon Studios as Executive Director in October 2000. As the Executive Director she oversee all aspects of Smack Mellon programming. Kathleen was the Director of Socrates Sculpture Park in LIC, Queens, NY from 1995 to 2000. Curating exhibitions for galleries, institutions and organizations including Smack Mellon, Socrates Sculpture Park, Long Island University’s Brooklyn Campus outdoor public art program, Kathleen Gilrain is an artist who has created site-specific public sculptures for: Savannah, GA; the City of Ulsan, South Korea; the South Carolina Botanical Garden, SC; the City of Chicago, IL; The Fields Sculpture Park in Ghent, NY; Socrates Sculpture Park in New York City; the City of Providence, RI; the Connemara Conservancy in Dallas, TX; Klenova Castle in Klenova, Czech Republic; and Cergy Pontoise, France. Ms. Gilrain holds a BFA from The Cooper Union and an MFA from The University Massachusetts, Amherst.
WALTER McCONNELL, New York- Walter McConnell is a ceramic artist residing in Belmont, New York. His unfired ceramic installations addressing the relationship between nature and culture have been exhibited nationally and internationally. McConnell states of his work: “My work is a mediation on my relationship to nature within a culture decisively alienated from it. In a technological age, where contact with nature is at best indirect and our experience of it variously defined and mediated by the culture we inhabit, my work is a site where I negotiate conflicting ideas about the natural world and forge a connection to it.” McConnell currently serves as an Associate Professor of Ceramic Art at the New York State College of Ceramics at Alfred University, in Alfred, New York. McConnell was born in Philadelphia and attended the University of Connecticut, Storrs, where he received a BFA in Ceramics and Painting in 1978. McConnell earned his MFA in ceramics from the New York State College of Ceramics at Alfred University in 1986.
MEL CHIN, North Carolina- Mel Chin was born in Houston, Texas and began making art at an early age. Chin’s art, which is both analytical and poetic, evades easy classification. He is known for the broad range of approaches in his art, including works that require multi-disciplinary, collaborative teamwork and works that conjoin cross-cultural aesthetics with complex ideas. He developed Revival Field (1989-ongoing), a project that has been a pioneer in the field of "green remediation," the use of plants to remove toxic, heavy metals from the soil. Chin is well known for his iconic sculpture, works that often address the importance of memory and collective identity. Chin’s socially engaged projects also challenge the idea of the artist as the exclusive creative force behind an artwork. “Sometimes, the survival of my own idea may not be as important as a condition I might create for others’ ideas to be realized,” says Chin, who often enlists entire neighborhoods or groups of students in creative partnerships. From 1995-1998 he formed the collective the GALA Committee that produced In the Name of the Place a conceptual public art project conducted on American prime-time television. Chin also promotes “works of art” that have the ultimate effect of benefiting science, as in Revival Field, and also in the recent Fundred Dollar Bill/Operation Paydirt Project, an attempt to make New Orleans a lead-safe city (see Fundred.org.)
LINN MEYERS, Pittsburgh, PA- Linn Meyers received her BFA at The Cooper Union in NYC and her MFA at the California College of the Arts in San Francisco. She has been the recipient of many awards and fellowships. most recently she received a Smithsonian Artist Research Fellowship, and in 2008 she was Artist In Residence at the Hirshhorn Museum in Washington DC (2007-2008) . Meyers’s work is in numerous private and museum collections and has been featured in exhibitions in museums and galleries internationally. Museum venues include The Tokyo Metropolitan Museum of Art in Tokyo, Japan, The Hirshhorn Museum, The Corcoran Gallery of Art and The National Museum of Women in the Arts in Washington DC, The Frick Museum, The Mattress Factory Museum and the Pittsburgh Center for the Arts in Pittsburgh, PA, and The San Jose Institute of Contemporary Art, San Jose CA. Meyers is represented in Philadelphia by Gallery Joe.
Thursday, May 20, 2010
MFA AWARDS 2010
Each Spring MFA faculty recognize 3 thesis students who have attained a high level of accomplishment in their studio work.
I am pleased to announce the Spring 2010 MFA CPS Awards to thesis students:
Jessica Clark Painting-Henkels Award
Jessica Cohen Ceramics-MFA Faculty Award
Sean Mattio Sculpture-MFA Faculty Award
In addition to recognizing these students for their fine work, I am particularly thrilled to announce that MFA Graduate H. John Thompson has been awarded the first annual UArts President's Award for Graduate Studies at the University of the Arts. John wasn't able to attend the commencement as he was busy assisting current MFA Student Andrew Walker with an installation that will arise on Broad Street on the Hamilton Hall Platforms this week. John, Andy and I met with President Buffington at 4:45 PM and John received his $1000 Award and congrats from the President himself!
Way to go, Jessica, Jessica, Sean and John!
2nd year MFA student AJ Bredensteiner at Serafin Gallery- Opens Friday!
Come out to support UArts MFA Painting student AJ Bredensteiner in this amazing exhibition at Serafin!
For Immediate Release:
Exhibition: I CAN’T GET YOU OUT OF MY MIND
Date: MAY 21 – JUNE 22
Opening Reception: MAY 21, 6-8PM
Location: 1108 PINE STREET PHILADELPHIA PA 19107
Contact: ROHINA IQBAL (at) ROHINA@SERAPHINGALLERY.COM
Seraphin Gallery is pleased to announce “I can’t get you out of my mind”, a group exhibition curated by Seraphin Gallery artist Hiro Sakaguchi
As often the case, group exhibitions are successful based off the effectiveness of the theme or the story it evokes. Sakaguchi, in this case, chooses himself as the tying thread by choosing works which gave him a long-term impact upon viewing them in the Philadelphia art scene. As Sakaguchi states, “Simply, I choose artists whose works I want to see again for selfish reason.” Because of Sakaguchi’s selfish pursuit, the exhibition becomes an homage to the artists, offering them a new venue and viewers. Works include minimalist cityscapes, needle threaded paper, and ceramic sculpture. By giving these artists the same platform, “I can’t get you out of my mind” becomes a biography on Sakaguchi’s art aesthetic.
Sarah Roche
Sarah Roche’s 2007 series of paintings, “From Dust till Dawn”, reflects her everyday experiences working as a gallery maintenance conservation technician at the Philadelphia Art Museum. Among this series, one watercolor painting stood out, a self-portrait reflected in a window case of medieval armor. The painting depicts a slightly off centered face looking back at the viewer. At a glance, it appears as though she herself is the wearing armor, calling to mind references of Joan of Ark. The simplicity and strength in this depiction and Roche’s use of paint have stayed in my mind for some time. Roche has created a new version of this piece for “I can’t get you out of my head”, Portrait in Armor, this time made of ink on paper.
Marie Ulmer
The first time I saw Ulmer’s work, I thought that it was made by a young artist in her twenties or thirties. What I found out instead was the works were largely executed by an artist in her youth from the 1930’s and 1940’s. Given the rising phenomena of the popularity of works on paper in the past decade, Ulmer’s work fit right in with the Philadelphia art scene. As Candace Karch states “Ulmer is in her nineties, is quite healthy and continues to make works of art.” But it was her works from 1930s-1940s that stayed in my mind. There is sensitivity in the lines and her personal story of a life of an ordinary woman that struck me.
Philip Adams
About a year ago, Philip Adams displayed a charcoal drawing of a huge tsunami wave that took up an entire gallery wall, while a small surfer was placed among the waves. Upon closer examination, the surfer, it turned out, was President Obama. Ever since, I have struck by Adam’s works. For the Seraphin Gallery exhibition, I chose a hyper realistic charcoal drawing of a portrait on wood panel. Solipsist Will is a portrait of the artist’s friend wearing Ray-Ban reflective sunglasses. As the glasses reflect in the drawing, so does the work reflect youth culture and an air of our times. This charcoal on panel has stayed with me and burnt the image into my mind.
AJ Bredensteiner
The Sacrifice of Eternity for a Dream of Immortality is a large drawing installation piece made by artist AJ Bredensteiner. It is composed of more than 400 drawings of the book “Anna Karenina” by Leo Tolstoy.
His conceptual still-life came to be more than 400 drawings which Bredensteiner drew from the book as he turned the pages. Every drawing mimics the exact text as you would find on the correlated page. Bredensteiner devoted five months of his life to this project. He mentions that when you spend that much time in a story, your mind creates an association with your own life story as you are reading the fictive story. Due to my lack of patience, I have no way to find out exactly what AJ is talking about but I’ll take his word for it. His work is a example of a artist fully living within his own art for sake of his art. I have great respect for his sacrifice as an artist.
Artists are faculty members of Tyler School of Art, Drexel University and Pennsylvania Academy of the Fine Arts, recipients of the Fleisher Wind Challenge, members of Vox Populi artist collective, and alumnus of the Center for Emerging Visual Artist’s Career Development Program. Selected artists are also in the collections of the Victoria Albert Museum, London, Pennsylvania Academy of Fine Arts, and the West Collection.
Curator Hiro Sakaguchi has organized various exhibition projects including: “Caution Art in Here” at Cerulean Arts Gallery in Philadelphia, “My Dog Speaks” at Seraphin Gallery, “Useless weapon” at the Green Lantern Gallery in Chicago, and the “Picture Journal Project” at The Woodmere Art Museum. Sakaguchi own works are internationally exhibited and is in the permanent collection of Philadelphia Museum of Art.
Featured Artists
Phillip Adams
Gabriel Boyce
AJ Bredensteiner
Robert L Chaney
Gretchen Diehl
Mike Kowbuz
A.D. Loveday
Brenna K. Murphy
Erin Murray
Michelle Oosterbaan
Sarah Roche
Marie Sivak
Marie Ulmer
Casey Watson
Rohina Iqbal
1108 Pine Street
Philadelphia, PA 19103
215-923-7000
rohina@seraphingallery.com
www.seraphingallery.com
Wednesday, May 12, 2010
Hey, good news from the College Art Association!
At its meeting on May 2, 2010, the CAA Board of Directors voted to restore several important programs for the next fiscal year, beginning July 1. After a year of conservative budgeting in response to the economic downturn, the board eased financial constraints on the following programs that benefit CAA members.
Below are the highlights; see http://bit.ly/9I8bFP for full details.
Fellowships to MFA students
In 2010, CAA will award five Professional Development Fellowships in the Visual Arts of $5,000 each to outstanding students who will receive MFA degrees in calendar year 2011. CAA hopes that Professional Development Fellowships in Art History can again be awarded to doctoral candidates in 2011.
Friday, May 07, 2010
2010 GRANT APPLICATION NOW OPEN
Application Deadline — Monday, June 7, 2010
The Creative Capital | Warhol Foundation Arts Writers Grant Program supports individual writers whose work addresses contemporary visual art through grants in the following categories:
• Articles
• Blogs
• Books
• New and Alternative Media
• Short-Form Writing
Grants range from $3,000 to $50,000 depending on the needs and scope of the project.
Designed to encourage and reward writing about contemporary art that is rigorous, passionate, eloquent and precise, as well as to create a broader audience for arts writing, the Arts Writers Grant Program aims to strengthen the field as a whole and to ensure that critical writing remains a valued mode of engaging the visual arts.
here are the guidelines
Monday, April 26, 2010
Space Program
If you've not been to Art Making Machine Studios (3000 N. Hope Street in Philadelphia) you might want to check them out. They have shared wood and metal shop facilities, wi-fi, a kitchen, and other swanky amenities. You might want to check it out, and you can by sending an email to them.
Saturday, March 27, 2010
Thursday, March 25, 2010
Who Needs A Pedestal?! Exhibition Opens April 1, 2010!
“Who Needs a Pedestal?”
When: Exhibition: March 31-April 3, 2010
Noon-5PM
Opening Reception: Thursday, April 1 2010
5PM-7PM
Where: The University of the Arts
Anderson Hall Gallery 224
333 South Broad Street
Philadelphia, PA 19102
Please join us April 1, 2010 from 5PM-7PM for the opening reception of “Who
Needs a Pedestal?” a juried exhibition of ceramic work of alumni and current
graduate students from the Low Residency MFA Program at the University of the
Arts. The exhibition will be located in Gallery 224 of the Anderson Building at 333
South Broad Street in Philadelphia.
The MFA Program in Ceramics current Graduate students and Alumni selected for
the Exhibition are Xiomara Babilonia(2009), Mary Gamble Barrett(2005), Jessica Cohen(2010), Virginia McKinney(2011), Tammi Razzano(2008), Jamin London Tinsel(2007) and Sara Fine-Wilson(2008).
The exhibition has been organized with assistance from Rebecca Fell, University
of the Arts Museum Exhibition Planning and Design Graduate Student (MEPD, ‘11)
and is presented in conjunction 2010 NCECA Conference: Independence. For more
information please visit: www.nceca.net.
Tuesday, March 23, 2010
Antonio Fink: NCECA 2010
The Haverford School
Centennial Hall Gallery, 450 Lancaster Avenue, Haverford, PA
610-642-3020
Antonio Fink 2010 Tiles
Antonio Fink's first tile exhibition took place in May of 1997 at the Clay Studio in Philadelphia. Since then, Fink has developed his tile technique, as well as his depictions of the human face, and figure. The visual impact of these tiles are a conglomerate of influences from Jose Clemente Orozco, Frank Stella, Bellows, Viola Frey Picasso and Matisse, to name a few. This exhibition features contructivist, high relief tiles that are full of color and reflections on contemporary life.
Mar 28-Apr 30. Sun-Sat 11:00am-7:00pm. Reception Apr 2, 6:00-9:00pm
Terri Saulin: NCECA Exhibitions 2010
Hello All,
Happy Spring!
I am hoping to see you at this year's NCECA festivities.
Perhaps you may be able to catch one of the two shows in which I will be participating.
Nancy Agati is also participating in "6-III."
Here's a Link to NCECA.
There is great work this year.
Hope you get to see it!
Warm regards,
Terri
Friday, February 26, 2010
Art21 wants to hear from YOU
It would be so great for students in the UArts program to participate in this because your graduate experience is a unique mix of independence and community. I hope you'll contact them (the deadline is March 5), and that I'll see your blog posts soon...
Best ~gerard
Tuesday, February 23, 2010
Public Art Opportunity-Philadelphia
Call for Artists - Art In Transit
Deadline: March 26, 2010
Artists living in the Greater Philadelphia area are invited to apply for a public art commission. Artists are asked to envision permanent artwork that will be seen by tens of thousands of pedestrians, shoppers, residents, motorists and SEPTA riders commuting through or passing by stations each day.
http://septa.org/ait/
The Art In Transit Program is designed to incorporate art elements into renovation and construction projects for selected stations and public transportation facilities. The program allocates up to one percent of the construction budget of capitally funded projects for the design, fabrication and installation of permanent artwork. The purpose of the Art in Transit Program is to create a more inviting and dynamic transit environment for regular and new riders and to foster a feeling of pride within the surrounding community.
More Information
http://septa.org/ait/pdf/margaret-orthodox-call.pdf
Margaret Orthodox Market-Frankford Line Station
4700 North Frankford Avenue, Philadelphia PA
Project budget | $150,000
Exhibition Opportunity for First Year MFA Students
Sincerely,
Ben Will and Sarah Eberle
Rebekah Templeton
c o n t e m p o r a r y a r t
173 W. Girard Ave.
Philadelphia, PA 19123
www.rebekahtempleton.com
267-519-3884
Open Call to First Year MFA Candidates
Deadline March 31st
We are pleased to announce an open call for a yet to be named exhibition that will open on May 14, 2009.
Eligibility:
This Exhibition is open to all first year MFA candidates. We are looking for artwork in all mediums that has not been previously shown in Philadelphia.
Submissions:
Send up to 15 jpegs, no larger than 5" x 7" at a maximum of 300dpi, on a CD. Title the images with your last name and a number (ex. Name_01). Please include a word document, with numbering that corresponds to the file names and lists title, date, medium, size, and edition size (if applicable) for each of the pieces. There is no entry fee for this exhibition. Artist’s statement and resume/cv suggested, but not required.
Send submissions to:
173 W. Girard Ave.
Philadelphia, PA 19123
Wednesday, February 10, 2010
Swoon in North Philly
Swoon, has made her way to the streets of North Philadelphia to participate in Philagrafika 2010, a citywide festival celebrating the role of print in contemporary artistic practice.
Check out:
ROBOTS WILL KILL
Friday, January 29, 2010
"2D or not 2D" Exhibition Opens Thursday, February 4, 2010
MFA students in Ceramics, Painting and Sculpture at the University of the Arts
Exhibition juried by Charles Arnoldi and Gregory Amenoff
Charles(Chuck) Arnoldi(Venice, CA) and Gregory Amenoff(New York, NY) lectured and visited the University of the Arts during the MFA Winter Critique this past December. The “East Coast/West Coast” debate and open forum furnished the students with a glimpse of how a successful visual artist maintains a studio practice and life. Mr. Arnoldi and Mr. Amenoff selected work from first and second year graduate students to form the “2D or not 2D” Exhibition. Gregory Amenoff, chair of the visual arts department at Columbia University, has over 50 solo exhibitions and noted group exhibitions including Biennial Exhibitions at the Whitney Museum and Corcoran Gallery of Art. Charles Arnoldi has over 50 solo exhibitions nationally and internationally including the Whitney Biennial and Documenta 5 in Kassel Germany.
The MFA Graduate Students selected for the Exhibition are Marjorie Renno(Albano), Erica Bertke, Andrew Bredensteiner, Veronica Bruce, Veronica Cianfrano, Jessica Clark, Jessica Cohen, Martha Ferguson, Michele Kishita, Robert Libby, Sean Mattio, Teresa Palmer, Heather Pieters, Nancy Ring and Andrew Walker.
The Low Residency MFA Program in Ceramics, Painting and Sculpture at the University of the Arts is a two-and-a-half year course of study committed to training artists at the highest professional levels.
Exhibition Details:
What:University of the Arts-MFA Program in Ceramics, Painting and Sculpture
“2D or not 2D” Exhibition- Exhibition juried by Charles Arnoldi (CA) and Gregory Amenoff (NY).
When:Opening Reception : Thursday, February 4th, 2010, 3:00-5:00 PM
Exhibition continues: February 4th – March 22, 2010- (9 AM-5PM)
Where:University of the Arts- President’s Office-320 S. Broad Street-Philly, PA 19102
Thursday, January 28, 2010
Miss Martha Graham Cracker
This Friday, 1/29/10 is Pig Iron Theater's Annual Benefit Show.
Come and see Miss Martha and a slew of others perform.
Hams Across America will take place at the Trocadero Theater, 1003 Arch St. in Phila.
7pm - ?
Go here for more info!!!